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Comments | More from the author
In the classic sense, it is the latter. Observing the great masters of art over the centuries, provides proof of this. The most powerful and well known sculptors and paintings of history were of women not depicted by today's standards of sheik. Roundness, curves, mystery and emotional depth were the pallet of choice. Venus De Milo, mysterious, rounded in form, all of the "Reubens" women included swollen bellies and breasts, Michealangelo's Sisteen Chapel ceiling is dominated by passionate figures. Here it is 2009 and we, all around the world are still captivated by these works. It is safe to say that the images of this type of "beauty" is universal and everlasting. Today's standard of beauty is a far cry from Leonardo da vinci's Mona Lisa or Vermeer's Girl with a Pearl Earring. Now we are bombarded by the slick, stick girl. The use of make up has become so dominant, it is hard to tell where a woman's eye really begins and ends. Black is fun for a kitschy piece or futuristic get up, but as a steady diet, it falls flat. Expressions are dead without feeling. Lighting becomes more important than the subject because the subjects are all the same. All women start to look alike. Where is the true beauty?
This is beauty at it's best, not disguised, but completely available for the world to see, feel, admire and aspire to. The message received is one of a passionate nature, accessible to all people, which is just how true beauty was meant to be.
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