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When I first moved to San Francisco and began my maniacal quest to find work, I found myself resorting to meagerly paying temp jobs where my most challenging daily task was to navigate through a complex matrix of celebrity gossip, online shopping and fashion magazines. During those lengthy periods of absorbing frivolous trash talk and spending more money than I earned, I became acutely aware of the over abundance of hollow assessments on the web; one mean spirited review after the next drifting aimlessly around cyberspace and landing ruthlessly in to homes and offices across the world.
If you’ve ever been on the receiving end of an unfavorable review, you know the feelings that can arise from reading somebody express distaste in whatever it is you’ve put forth, especially if you feel the reviewer was unknowledgeable, prejudiced, and/or generally unfair in their assessment of your work. As an avid follower of all things fashion related, I’ve developed a vast appreciation for all the well rounded, intelligently structured and unbiased reviews out there; writing that tantalizes my creative cranial facets with descriptive phrases, factual overtures, conviction and authenticity. Most of us are aware that no matter how hard we try, we’ll never win everyone over. Unfortunately, negative feedback is a part of life when the public is concerned. Even the legendary, Donatella Versace, has her adversaries. However, the “bad” reviews left in their paths don’t need to lack quality. A bad review can still be exceptionally good with a little oratorical finesse. We see a lot of reviews today that offer little constructive, specific and truthful commentary and alternatively are seeing a lot of name calling and character assassinations. Having given a lot of thought around what defines a useful review, I’ve come to the conclusion that it’s impossible to define without disappointing somebody. Writers everywhere will never hold the same opinions about what they consider helpful or even positive. I can only speak for myself and what I know feels right when I read an evaluation that knocks my Juicy Couture socks off. When I get ready to dig in to a new fashion review I consistently look for a few things. The first and most important is whether or not they explain the collection and/or designer in an honest way, good or bad. If it’s critical, I look for specific examples as to why the writer was not a fan. I’m open and interested in people’s views but (and it’s a big but) if the author writes about what feels like unnecessary trash talking or irrelevant rumors, they run the risk of losing a certain amount of credibility.
An article by Kat Giantis on MSN.com titled, “Year in Review: Undressed!” is an example of the type of reviews circulating the internet about Simpson. Giantis writes, “These high-waisted, mega-pocketed abominations are a crime against all pants, and to dismiss them merely as mom jeans would be an insult to outmoded mothers the world over. Simpson's self-sabotaging choice could have something to do with the fact that she's performing at a chili cook-off (admit it you'd just give up, too). But letting your belted denim get overly familiar with your sternum doesn't help anyone.” Giantis’ writing, while humorous, also comes across as judgmental and harsh. It’s clear the writer felt Simpson made a blunder of epic proportions but the reader is left in a negative wake and lacking knowledge of other options. Along with valuing honest and specific reviews, I tend to set my sights on material that feels balanced and impartial. A review that points out nothing but faults won’t hold my attention. However, a meaty review offering a healthy equilibrium will keep me captivated until the last word. Along with that, no matter what the balance, writing drenched with personal preference isn’t going to offer me an objective view of the designer’s work. Sarah Mower with Style.com showcased Alexander McQueen’s Fall 2010 Ready-to-Wear collection with an informative, unbiased and intensely expressive review. Mower notes,” For anyone who had watched his [McQueen] development through the years, the references to milestone collections were apparent. The bandage-bound heads, some with feathered coxcombs, simultaneously called up the designer's rebel-British background and his landmark Asylum collection while also catching a likeness to the modest head coverings seen in Northern European medieval portraiture.“ Regardless of whether or not Mower has an affinity towards bandage-bound heads adorned with feather coxcombs, she gives us a wildly expressive depiction of McQueen’s collection without inserting her own conclusions, leaving us to our own creative verdicts. There’s a fine line between staying true to your own personal writing style and maintaining journalistic integrity. Witnessing a powerful voice come through in a review is not only attention grabbing but inspirational and how a writer utilizes their voice is a delicate issue between them and their hard drives. Ultimately, the privilege of free speech will afford a myriad of writing styles their own creative outlets. Whether the topic is about Jessica Simpson’s taste in jeans or Alexander McQueen’s bandage-bound heads, there’s something out there for everyone. Your Comments: |
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"Reviewing the Reviewer | The high fashion tables have turned." | Document 4005 published: Mon, 2 Aug 2010 | Sponsored by Editorial » Fashion » Women options : Email This | Keywords: Reviewer, Fashion AND Magazine ™ © 2008-2011 | | A New Internet |
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